February 19, 2012
I could have been a vicious raving monster who killed and killed and left towers of rotting flesh in my wake. Instead, here I was on the side of truth, justice and the American way. Still a monster, of course, but I cleaned up nicely afterward, and I was OUR monster, dressed in red, white and blue 100 percent synthetic virtue.
Dearly Devoted Dexter
I teach creative writing in a maximum security prison in Philadelphia. During the week I scour two thrift shops for 35-cent paperbacks that I haul in to stock a small lending library I created for inmates. Amazingly, the prison had no library.
In the process of collecting used books, Iíve surveyed the crime, mystery and noir genre of popular fiction. I collect some books for myself and have read many in part or end to end. The range of quality in such a genre runs from garbage to genius.
Iím a Vietnam veteran and a veteran anti-war activist who follows the US war news closely. The psychological and mythic forces of Eros and Thanatos (Death) interest me and how they play out in popular culture. Freud in Civilization and Its Discontents writes about "the struggle between Eros and Death, between the instinct of life and the instinct of destruction." Eros is the force that brings humans together and Thanatos is the force that drives us apart. "This struggle is what all life essentially consists of," Freud writes. Chris Hedges also writes of this split in his great book War Is a Force That Gives Us Meaning.
The other day I picked up Jeff Lindsayís second book in the Dexter series -- Dearly Devoted Dexter -- about a Miami police department forensic expert by day and psychopathic killer by night. Lindsay's Dexter novels have spun off into a popular Showtime TV series. The Miami Herald called the book about a lovable serial killer "A macabre work of art."
Personally, I wouldnít pay the full cover price for this book. Still, Lindsay is a fine prose writer whose characters are well drawn and set within a fast-paced plot that ping-pongs from the sweet, personal and mundane to the truly horrific blood feast. Dexter as first-person narrator speaks in a tone of light, ironic gallows humor with the reader assumed as a friendly confidant. His day job is as a blood-spatter expert with the Miami-Dade Police Homicide Department.
Dexter author Jeff Lindsay, actor Michael C. Hall and a John Hoagland shot of a body dump in El Salvador circa 1985
In this book, Dexter has a relationship with a woman named Rita who has two kids, a boy and a girl, Cody and Astor. All three are wounded from abuse by her ex-husband. Interestingly, Dexter makes it clear he doesnít care so much about Rita and is not interested in sex. At one point, this disciple of Thanatos is drinking beer and finds himself in bed snuggling with Rita and succumbing to the Erotic. "She was just so nice and smelled so good and felt so warm and comfortable that -- Well. Beer really is amazing stuff, isnít it?"
What Dexter really cares about is Ritaís kids, especially the boy Cody. On a fishing trip, he notices Cody taking pleasure in plunging a knife into a flopping blue runner. He learns from Astor that little Cody killed the neighbor dog for pooping in their yard.
"I had a son. Someone just like me," Dexter says. "I wanted him to grow up to be like me -- mostly, I realized, because I wanted to shape him and place his tiny feet onto the Harry path." Harry was Dexterís "wise foster father," the man who recognized in the teenager a psychopathic need to kill and channeled that destructive impulse onto the noble path of killing only those who deserve to be killed.
This is pure genre writing so, predictably, Dexterís "Dark Passenger" (thatís his Mr. Hyde killer persona) is faced right away with the need to kill a hideous pederast who duct tapes young boys, then rapes and kills them on his boat, finally dropping them into the Gulf Stream to never be seen again. It's clear this man deserves to die. The formula is that Dexter never kills anyone mourn-able; his prey is always someone demonized beyond any degree of human sympathy.
I don't want to make a case for the immorality of the Dexter series, although I think one could easily make that case. Devotees of Dexter glibly toss off any questions of immorality, saying, hey, itís fiction. Lindsay says he's like Edgar Rice Burroughs, the creator of Tarzan; his character has grown into an icon that now belongs to the greater culture. He puts the Dexter attraction this way: "Itís having the bully on your side to finish your battles for you. People love that. If someone bothers you, you can say thatís all right, Dexter will take care of this, and the people like that."
Whatís interesting to me is looking at the Dexter phenomenon as a component of mass pop psychology and national myth that deals with the use of lethal violence as a more and more acceptable solution to problems. In that sense, it's disturbing how much Dexterís motivations and self-justifications as a necessary killer mirror the current US military doctrine centered on Special Operations hunter-killer teams.
The New York Times reported this week that Admiral William McRaven, a former Navy Seal and now commander of US Special Operations Command, is lobbying that his hunter-killer Special Ops units be given a larger role in US military strategy. He wants greater authority to employ these sophisticated hunter-killer "cells" outside of normal Pentagon deployment channels -- that is, increasing secrecy and diminishing accountability vis-ŗ-vis the American tax-paying, voting public.
US Special Operators and Admiral William McRaven speaking recently to the National Defense Industrial Association
This is the super secret world of military and intelligence operatives that has evolved out of the paranoid, post-911 Bush-Cheney years. It is the legacy of Vice President Dick Cheneyís famous statement that the times required that the nation not shrink from going to "the dark side."
The pop culture Dexter novel really gets interesting when its major plot element opens up. It seems a homicidal torturer from the 1980s US war in El Salvador -- Dr. Danco -- has gone rogue and is operating in South Florida to get revenge on those who betrayed him.
Back in the 1980s, the evil Danco had worked in Salvador with Miami-Dade Police Sergeant Doakes, then in US Special Forces on loan to the Salvadorans, and with federal operative Kyle Chutsky. Dexter refers to the 1980s as "a homicidal carnival" in El Salvador, a time when death squads flourished and bodies were common in the streets. Dexter points out that Sergeant Doakes, now his partner in the hunt for Dr. Danco, "would have been one of the ringmasters."
The plot twist is that Danco was sold out to the communist rebels, who turned him over to the insidious Cubans. In the Isle of Pines prison in Cuba he was tortured to the point he joined forces with Fidel. The beast is now loose in South Florida in a white van seeking revenge on those who sold him out, to include Doakes and Chutsky. Danco specializes in surgically severing all a personís limbs and parts, leaving a hideous living head and torso tied to a table doomed to look at whatís left of himself in a wall size mirror.
"Once you go over to the dark side, itís forever. You canít go back." Thatís what Chutsky tells Dexter, referring to Danco.
The Salvadoran Option
I was raised in rural South Dade County as a kid, so many of the streets and locales of this novel are familiar. My South Florida was living, fecund and wonderful and not the moral holocaust of this novel. As a photographer, I traveled quite a bit in El Salvador during the 1980s and 90s. So I heard many first-hand stories of the horrors Lindsay dredges up for his narrative. One example: A woman told me about finding her daughterís body skinned in a body dump. I had a terrible time absorbing that image. The fact is, the genre nonsense of this Dexter novel aside, the people tortured and killed by death squads in El Salvador were not monsters themselves; they were generally peasants and reformers hoping for a fair shake and the lifting of years of violent repression -- all supported, of course, by US policy under Ronald Reagan.
I was also in Iraq in 2003 and early 2004 as a journalist when the US military invasion force began to realize the mission had not been "accomplished" and it faced a powerful and growing, internally-generated insurgency that wanted the US to leave -- especially in Falluja and the Sunni area of Anbar Province, which I traveled through four times in a fast-moving GMC truck.
The US counter to that insurgency became known as "the surge." General Stanley McChrystal ran the counter-insurgency operation. Insider reporters like Bob Woodward called it "the secret weapon." Others called it "the Salvadoran option," as in war by death squad. So it wasnít a "surge" of troops that turned back the insurgency; it was the establishment of special operations assassin teams. It was "the dark side." All the rest was public relations to clean things up for home consumption. No one really wanted to think of our boys working as common assassins.
The critical factor was the use of both highly sophisticated and crude methods of intelligence gathering (to include torture) to identify the leaders of the insurgency and then to send out hunter-killer units supported by air power, satellite communications and whatever else would help the mission. And the mission was to kill or capture leaders and other people critical to the insurgent effort. As counter insurgency expert William Polk has made clear, the most successful counter insurgency campaigns in history have relied on scorched earth tactics focused on the troublesome population. That, of course, is impossible in todayís world. So, the next best thing is to focus on systematically eliminating the leaders of an insurgent movement.
General MyChrystalís tactics were successful in at least slowing down the insurgency enough so US military public relations could claim it controlled the area. No matter whether one holds onto the notion of "the surge" or what one chooses to call it, the tactic was focused on identifying and killing key people in Anbar who simply wanted US soldiers out of their neighborhoods.
Since sovereignty means not having to answer to anyone, especially in a "war," such killing was not characterized as "murder" and soldiers were praised and got medals. This isn't to question the toughness or bravery of these soldiers. The issue is the mission and, on a disturbing level, how the justifications for these killings are not unlike Dexterís pop culture "red, white and blue 100 percent synthetic virtue."
From the "granular level" of Anbar Province circa 2005, the so-called Salvadoran option advocated by Vice President Joe Biden and others is fast becoming national military doctrine. Admiral McRaven wants to base hunter-killer "cells" in Asia, Africa and Latin America. While the traditional big unit military is being squeezed, special ops budgets are rising. The nation is in the midst of a major shift.
Recently, very competent and trained Special Ops teams have been used in well publicized rescue missions of people held captive by Somali pirates, and of course the killing of Osama bin Laden. These missions are public relations gold dished out to the media as gourmet feasts of positive imagery. The problem is, only military insiders know whatís going on in the huge and growing secret, unaccountable realm of the US military.
As with any new tool or weapon, people tend to find uses for it. All thatís required in this instance is the establishment of an "enemy" -- someone demonized or inconvenient to the point of warranting assassination. The challenge is to keep the action secret and anonymous -- like the virtually certain recent Israeli murders of five Iranian scientists.
The United States government and its lethal military operate vis-ŗ-vis its citizens in two distinct modes: Public Relations or Secrecy. Trust us, it says. We have your best interests at heart. And, besides, opposition is futile. So enjoy your bread & circus and donít ask any questions.
Meanwhile, US imperial prestige is ebbing in Iraq, Egypt and elsewhere in the Middle East. Latin America, led by a booming Brazil, is no longer intimidated by the United States. Globalization is breaking everything down. Despite Clint Eastwoodís half-time riff at the Super Bowl that America is ready to roar back for "its second half," decline is real. The struggle is between the exceptionalist expectations pandered to by American politicians and the harsh realities of the coming world. The financial and human resources spent out of fear on Thanatos and the forces of destruction only further erode the life-giving forces of Eros that, tragically, are so weakened but needed in a time of national crisis like we're living through.
US war makers are completely in synch with Dexterís rules. Because, in a way, a sovereign government in fear of the future is not unlike a psychopath. As long as it can keep things quiet and under the radar and project a clean image, it can do anything and not have to answer to anyone. The challenge is to work the dark side and get away with it "dressed in red, white and blue 100 percent synthetic virtue."
When Dexterís psychopathic mentor Harry "squared away" his foster child, he told him, "There are rules, Dexter. There have to be. Thatís what separates you from the other ones." Harry said to "blend in" and "clean up, donít take chances." Finally, whatís most important for Dexter's stable future as a psychopathic killer, "You have to be sure before you start that this person really deserves it. ... Get some proof.